Guitar Lessons by Chip McDonald - Are You Rhythm, Melody or Harmony Centric?

Saturday, March 2, 2019

Are You Rhythm, Melody or Harmony Centric?

 I get to know the music tastes of all of my students.  People are very varied in their personalities and quirks (a good thing), but there are categories of preferences I've noticed over the years that can classify a person in a general sense relative to these elements:


 A "rhythm-centric" person  is someone that looks first and foremost for music that doesn't stray too far from a particular rhythm or beat. 

 For instance, one might like "blues" but favor the Austin / SRV rhythms, or maybe the cajun/New Orleans types of beats.  Alternately more "traditional" rhythms may be preferred, and one tends to choose artists based on how they work within the limits of those rhythms, or how far away they stray from that (or not).

 Metal and rap music fans tend to fall into this category.  Rap for obvious reasons, it's segmented based on the beat, but in metal the seemingly endless sub genres tend to be based around favored drum beats.  In both genres, the sub-genre one prefers has demarcation based on very rigid opinions regarding the historic context of the rhythm.  This is important to consider, because in my experience it's all about "is this "new" or not?".

 A "melody-centric" person isn't too concerned about the genre that the melody is in.  This person's taste will not be genre specific (even if they initially thing so...).  A country song, a classic rock song, maybe even a classical theme. 

 The "harmony-centric" person needs the context to have a harmonic structure that stands out.  Either a strong layered vocal part, or an extended chord as it's basis.  This person will tend towards progressive music, or jazz, as they are listening for the interplay of voice leading through changes as being the entertainment.  Or they may prefer 7th or 9nth based music instead of basic triads. 

 There can be crossover between the above, and what might at first seem like one is dominant upon closer inspection that may not be the case.  A person might be a jazz fan, and not realize they like certain chord layering in metal.   A metal fan might not realize they're actually drawn to melody - in any genre, apart from the rhythmic context. Or they may actually prefer harmonic arrangements in jazz.  A blues-rhythm fan may not notice at first the blues rhythmic context of traditional jazz (or vice-versa, as happens a lot).

 One doesn't have to necessarily be any of the above, but I think self-examination along those lines would be eye opening for some people who may think of themselves as preferring one genre.  There is brilliance and genius to be found in all genres, and experiencing that is fun and rewarding. If you understand what you tend to prefer in the above, it can be interesting to see where that interest can cross into other genres in unexpected ways.

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