Should You Boycott Harley Benton?

 So some guys on YouTube say you should boycott Harley Benton because the guitar at the top is a rip off of the guitar below it:

Harley Benton Nylon NT

Taylor TZ

  At least, I think these are the 2 guitars in question?

 Which is the gist of my post here: they are similar, but not exact - despite hyperbole.

 Many differences: knobs, fingerboard extension, sound holes are different, body size/geometry different, bridge different.  They look similar (unless I've got the wrong guitars?), but it's variations on a theme.

 A theme that Taylor didn't invent.  The first thing I think of when I see both is a combination of the following:

Godin MultiAc

..and:

Ovation Adamas

Rickenbacker 360

 The aesthetic is a combination of established elements.   From a design intellectual property standpoint, there is nothing new.  From a functional standpoint there isn't, either.

 Nobody is buying the $400 guitar thinking it's a Taylor.  But more importantly - and this is the real point - Taylor isn't losing any customers for it's $2,200 guitar.

 Nobody is walking into a Taylor dealership, thinking they want the Taylor and then settling for the Harley Benton.  Nobody.  Just like nobody walks into a Fender dealership wanting to order a Custom Shop Stratocaster, and then settles for a Harley Benton strat.  

 Which is a whole lot closer aesthetically and functionally than the Harley Benton and the Taylor.

  Unless one wants to restart the stratocaster clone wars and go off on a jihad against everybody that makes a strat style guitar, the Taylor vs. Harley Benton issue is a non-issue in my opinion.   The guys in the Youtube video sells both Fender and PRS: do they want you to boycott PRS Silversky models.......?  

 

Acoustic Guitar Purchasing Dilemmas (circa 2022)

 As a general rule, I think for most people the following made sense for the past 20+ years:

 Buy your first "introductory" guitar.   One takes a chance here, because it's probably not going to be very playable or sound nice.  This is usually without advice from me, and usually takes the form of a guitar that comes in a "pack" deal, somewhere in the $100-150 ball park.

  What I'd advise then would be a "compromise" guitar.  Something better than the above, but not a "real" acoustic guitar.  The advice would be to get the nicest possible with a solid spruce top, with consideration for a pickup system.  Epiphone and Seagull/LasSiDo has been a good choice in this category, .

 Then, I would advise to try not to buy another UNTIL one could afford either a Martin D28, or a 600-700 series Taylor.  Because - in between you're either paying for cosmetics, or another compromise, and these 2 are effectively where "professional, standard issue" acoustic guitars start.  But the main reason was - and I've been saying this for decades now - 

 "there will come a time when it will basically be impossible for you to consider buying a Martin D28.  Try to get one now if you can".

 For a long time $1,000 was the Magical Professional Price Point.  The "nice" guitars started there, or from another perspective, that was how much a Les Paul or D28 would cost.  In the late 90s D28s started creeping up in price; by the 2000s it was going up about $100 a year.  

 A D28 now costs $3,000.  While my perspective may be skewed - my income from teaching guitar has lagged inflation, effectively flat for my whole life, I can no longer advise someone to stretch their second-guitar budget to a D28.  Those days are over; trying to stretch $600,700 or even $800 to that Previously Magical $1,000 landmark was a tough ask, but $3,000 is ridiculous.

 Meanwhile, from what I've seen the sub <$500 price point has gotten better.  EXCEPT:

• Manufacturing quality is sort of all over the place;
• Traditional woods are harder to find.

 

 Which is why my advice is somewhat more ambiguous now:

 Try to get a solid SPRUCE top guitar first and foremost.  The Seagull brand is a cut above quality wise IMO; a less traditional choice of cedar for a top, buy probably a better deal if you're looking to get a guitar to actually use in public.  
 
 Secondly, instead of trying to stretch to get a D28 or Taylor/"?" equivalent,

 Try to find a guitar made of the traditional woods: spruce top; mahogany neck; rosewood or ebony fingerboard; mahogany or rosewood back/sides.  Because this is the formula for what you're used to hearing on recordings as a "standard acoustic guitar".  Scarcity is forcing manufacturers to substitute other woods, some working better than others.  

 What that means is that getting around that $1,000 mark means there are a couple of Epiphone, Yamaha models, and Seagulls that meet that bill.  Those manufacturers still exhibit a fair standard of quality; you're effectively purchasing an "off brand Martin".  They don't have the name cachet, but effectively speaking are still fine guitars.  

 Because where my advice once was "there will be a time when you won't be able to buy a Martin D28", I'm now stating "there will be a time when you can't buy an acoustic guitar made of the traditional acoustic guitar woods".

$.10, YMMV.